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The Restaurant of Many Orders is remarkably unique compared to nearly every other film of its era that has gone on to shape the aesthetic template of Japanese animation.

Unfortunately, Okamoto would pass away that year from liver cancer and the film was later finished by his close friend and fellow animator Kihachiro Kawamoto.

Winner of the prestigious Noburo Ofuji Award for Excellence and Innovation, The Restaurant of Many Orders is a beautiful parting gift from one of the most undersung innovators of Japanese animation.

Golgo, the titular assassin, is basically an evil character who exemplifies alpha male toughness to a ridiculous degree. He is, above all, a Professional.

Where Golgo charms is in the glorious, fluid animation, the sophisticated cinematic techniques used by Dezaki including very early usage of CGI , and the tense and incredibly violent action sequences.

Filled with gratuitous nudity, violence and rape, this unrated film is not for the faint of heart.

Still, with character designs by series illustrator Yoshitaka Amano of Final Fantasy fame and a number of visually memorable and impressive settings and showdowns, Vampire Hunter D: Bloodlust is a visually exhilarating action film that seldom fails to satisfy on a moment-to-moment level.

With Otomo at the helm guiding the project, and providing one of the shorts, this project pulled together a ton of talent, all in the service of some gorgeous animated short films.

The unifying concept barely hangs together, but each of the tales are so singular and stunningly rendered, this is a minor concern. Overall, Short Peace is an excellent modern entry in the hallowed tradition of great collections of anime short films, even if the feast it provides is a bit more for the eyes than the brain.

Believed lost for decades before being rediscovered in , Momotaro is invaluable touchstone in the history of Japanese animation, transporting viewers back to a time of startlingly different attitudes and sensibilities.

Taking place on, you guessed, the second planet in the solar system nearly seventy following a terraforming event, Venus Wars follows a group of teenage monobike racers-turned-freedom fighters after their home of Aphrodia is occupied by the forces of Ishtar, their neighboring rival to the North.

When Haru Yoshioka, a shy and absent-minded schoolgirl, rescues a mysterious cat while on her way home from school, she realizes she possesses the latent ability to talk to cats.

One of the most appreciable qualities of Japanese animation is the readiness in which they are willing to relate and contextualize their history as a country and as a people through a medium which is too often looked down upon as inherently trite and childish.

An excellent film about history, family, language, and hope. Comprising five animated shorts originally released as a part of Grasshoppa! DVD magazine issues, they were then collected into one release titled Deep Imagination.

Deep, indeed, would be one way to describe these shorts, which range across the map both in style and subject matter.

It only gets weirder from there. Most of these shorts break not only from traditional narrative, but also from traditional anime art style and animation techniques.

These are animation in its purest form, the directors and animators involved clearly just enjoying the riot of color and movement they present to the viewer.

When Cowboy Bebop first premiered in North America on Adult Swim in September of , it was one of the great defining moments of anime securing its cultural foothold in the West.

Set in the year , Cowboy Bebop was many things: a sci-fi western noir character drama built around the themes of existentialism, identity and loneliness.

Released in , the film serves the purpose of what any good anthology should—putting supremely talented animators on a project and allowing them to throw whatever they want at the wall.

All in all, Genius Party is a stunning collection of shorts produced by one of the most eclectic production studios operating today and should not be missed.

However, when a film is this well-animated and put together, the accusation of unoriginality can be forgiven. On the eve of the 21st century, the collective memory of every living being on Earth was wiped by an inexplicable mass phenomenon, decimating civilization and reducing the human race to roving tribes of scavengers devoid of language, reason or technology.

Wataru, a survivor of this worldwide amnesia meets Sophia, a mysterious young woman seemingly unaffected by this worldwide epidemic.

Instead, Miyazaki eschews anthropomorphic crabs and garish musical numbers in favor of honing in on the love story between a young boy and a girl-fish who yearns to be human.

As the years proceed and their friendship deepens, Hotaru and Gin begin to develop feelings for one another. A short and impactful film whose beauty and tenderness merits the best of comparisons to the likes of Miyazaki and Shinkai while remaining something wholly its own.

The film and preceding television series, both directed by anime luminary Toyoo Ashida, follow the exploits of Kenshiro, a superpowered martial artist who wanders the wastes of a post-apocalyptic future brought on by a nuclear apocalypse as he aids the helpless by vanquishing the wicked on a personal quest for revenge and retribution.

Produced in , Fist of The North Star earns the dubious honor of being so extreme that the original Japanese release had to be heavily censored with strategic cuts and psychedelic distortion effects.

Its age most definitely shows through the somewhat dated crudeness of its animation and its paper-thin plot, but what one can confidently praise Fist of the North Star the most for is its comically unrelenting self-awareness and sincerity in knowing exactly what it is and sticking to it.

An unabashedly fun action movie that touts the over-the-top machismo of Schwarzenegger and Van Damme in their prime. Placed in the body of middle-schooler Makoto Kobayashi, the soul is granted six months to solve the mystery of its own death and in doing so rediscover the intrinsic value of life itself.

Colorful , in spite of its name, is a movie that tackles weighty topics such as the societal pressure to succeed and conform, adultery, depression and suicide, albeit with an ultimately a life-affirming tone.

Taut with emotional tension and existential nuance, Colorful is a film that rewards on a visual and emotional level. The film ponders the question of whether anything exists at all, on whether ideas of the past that haunt the collective consciousness of humanity can reify themselves in the present tense, of whether belief in the perception of anything is worthwhile or reliable.

These are themes that Oshii would go on to further explore, particularly through his work on Ghost in the Shell , but nowhere near on this level of abstraction.

After the tragic passing of her father, year-old Momo Miyaura and her mother Ikuko move from Tokyo to the family home on Seto Island to start over.

While adjusting to her new life, Momo discovers an unfinished letter addressed to her by her late father, along with a mischievous trio of Yokai spirits who follow her around constantly.

Junji Ito is one of the most celebrated names in contemporary Japanese horror fiction, easily warranting mention along the likes of Shintaro Kago and Kazuo Umezu.

Gyo , arguably his most famous work, revolves around a young couple who are assaulted by a horde of homicidal fish monsters with mechanical spider legs.

After leaving Studio Pierott and striking out on his own as a freelancer on a few projects, Oshii would join the independent creative collective Headgear and become a major influence in shaping the aesthetic of their first project, Mobile Police Patlabor.

For Princess Kaguya , Takahata would again return to reiterate and arguably refine this technique, imbuing every frame and scene with the sort of scrupulous attention one would expect from a master calligrapher or Ukiyo-e artist.

As clandestine paramilitaries and a rogue U. Instead, what it turns out to be is a super-powered Indiana Jones meets Armageddon spy flick packed with thrilling chase scenes, psychic martial art showdowns, and breathtakingly beautiful montages of the sparse picturesque plains and mountains of Nepal.

Originally created as a four episode OVA, then re-released as a cut-down, theatrical version with 20 minutes of new footage, Macross Plus is the first Macross sequel that takes place in the original timeline of the TV series.

Macross Plus take place 30 years after the war between the humans and the alien Zentradis, detailed in the original show, and instead focuses on two rival test pilots and former childhood friends and their struggle to be the first to secure funding for a new, experimental fighter that would replace the current model.

As with all things Macross, the two pilots are a part of a love triangle with a woman from their childhood, who is now the producer of Sharon Apple, the most famous singer in the galaxy actually an Artificial Intelligence.

Things start to go wrong when Sharon Apple achieves sentience and goes rogue, taking over the SDF-1 Macross ship and threatening thousands of lives.

Macross II is perhaps best known for its heavy usage of CGI, a novelty at the time, and its fluid, realistic dog-fighting sequences, something Kawamori was obsessed with getting right.

Macross Plus , like all things Macross, has a complex history in the United States. The theatrical version was never made available as a dub, and is now very hard to find—but the OVA is readily available, and almost as good.

Phoenix: , then, written and produced by Tezuka, loosely adapts characters and concepts from several volumes of the manga. The young man, Godo, sets off with his crew to capture and kill the Phoenix, but as with any quest for immortality, they are doomed before they even begin.

The background work is simple but clean. This is clearly feature film level animation with some musical sequences particularly the dialogue-free first 12 minutes and action scenes that rival anything in the Disney canon.

The date is October 31, In the midst of this bottleneck of international tension and unsuspecting revelry, a mysterious transfer student named Saya has come to the school on a mission: to hunt down and kill a trio of terrifying creatures who prey on the blood and bodies of their human prey.

Blood: The Last Vampire is significant for many reasons. The movie is not only the first anime film to be foremost produced entirely in English with Japanese subtitles, but also the first to eschew traditional cel drawn animation and be drawn and produced entirely through digital imaging software.

As the eighth and best theatrical release in possibly the best known anime franchise on the planet, Dragon Ball Z: Broly — The Legendary Super Saiyan has probably been seen by more people than most of the other films on this list.

The story, which, as with most other DBZ movies, is simply an excuse to gather the Z fighters together to combat a new threat to the universe.

This time it concerns a super saiyan—a warrior from an alien race—who wants to enslave humanity, and whose quest begins with an orchestrated revenge against the heroes of DBZ.

In other words, a typical shounen plot for perhaps the ultimate shounen show. What then separates Broly from the many other DBZ movies and specials?

Two things: Broly himself is a silly but fun, over-the-top villain—a Super Saiyan version of The Hulk who only gets more powerful the angrier he gets—and the battle scene comprising half of the film , which is endless fun for fans of kinetic action.

Like any good theatrical film based upon an ongoing series, Dragon Ball Z: Broly — The Legendary Super Saiyan contains everything that makes the series a hit, while offering the more fluid, cleaner animation that comes with a theatrical budget, and highlighting the best thing about the show itself—the pure, addictive thrill of great beings doing battle.

Whisper of the Heart is the story of Shizuku, a stubborn and precocious bookworm who, after meeting Seiji Amasawa, an ambitious young violin-maker who shares her affinity for literature, is inspired to pursue her own passion for writing as an alternate means of accepting and professing her nascent affections for him.

Attempting to describe the Haruhi Suzumiya franchise to a newcomer, let alone an outright anime neophyte, is anything but simple. The series is a prime example of postmodernism, with self-referentiality, existential crises, and a non-linear continuity that has captivated and infuriated fans since it first aired.

Trust me on this. Anime owes a great debt to the legacy of Kenji Miyazawa. The story follows Giovanni and Campanella, two young boys from a hillside town who are swept up on a mysterious dreamlike voyage across the boundless reaches of time and space aboard the titular railroad.

The film is premium cyberpunk material, with sprawling cityscapes, homicidal cyborg junkies, brooding bounty-hunters, and an enormous megacity hanging above the mainland separating the haves from the have-nots.

Fans of the series passionately criticized the film for relieving Lupin of his anarchic predilections and instead casting him in the mold of a true gentleman thief, stealing only when his nebulous sense of honor permits it.

A flawed Miyazaki film is a triumph all the same. Created by Mushi Productions, the studio behind such classics such Astroboy , Kimba the White Lion and Dororo , and produced by none other than anime patriarch Osamu Tezuka, One Thousand and One Nights was the first installment in what would later come to be known as the Animerama series, a trilogy of thematically linked experimental erotic films created for adult audiences.

The Animatrix is, without a doubt, the best thing to come out of the Matrix franchise since the original movie. All the familiar tropes are present: the mirrorshades, the kung fu acrobatics, the pulsing rain of digital kanji.

The movie cut is the superior viewing experience, however. Endless Waltz takes place one year after the events that wrapped up Gundam Wing , and involves the Gundam pilots, and their enemy Zechs Merquise, coming out of retirement to battle one last threat—and in some cases, each other.

Where the Gundam Wing TV series had a plot that tended to meander, and sometimes used cheap animation or repeated cels, Endless Waltz is a feast for the eyes—filled with gorgeous, fluid battle scenes that any fan of giant robots will appreciate.

For this film version, several shots from the OVA were retouched, and there are some mild adjustments to the original animation.

The usual questions about the cost of war, the price of peace, and human determinism that run through virtually all Gundam series are on full display here.

If you want a concise example of what Gundam does so well relative to other types of giant robot anime, this is a dance worth taking.

Told across three short stories, the film follows Takaki Tono through childhood, adolescence, and eventually adulthood, documenting how his unrealized romance with his former best friend, Akari Shinohara, both spurs him forward and tragically leaves him incapable of pursuing human connection elsewhere.

Isao Takahata, for all his legendary status as a director and co-founder of Studio Ghibli, is sometimes a hard director to pin down, stylistically.

Case in point: the delightful, virtually plot-free, humane comedy My Neighbors the Yamadas, which looks and feels like nothing else in his oeuvre.

Despite this, it somehow also feels like quintessential Takahata. Based on the comic strip manga, Nono-Chan , the film is a series of vignettes centered around the Yamadas, an average family living in metropolitan Japan.

Complex truths about aging, marriage, family, and childhood are expressed through these simple tales about particular family members and their trials, tribulations and daily foibles.

Also of note is the striking visual style of the film, designed to look like a watercolor comic strip. Takahata was so firm in his desire to achieve this look that My Neighbors the Yamadas ended up becoming the first fully digital film from Studio Ghibli.

Whether you find it slow-moving or delightfully sedate, the visuals will captivate. My Neighbors the Yamadas is a film only Ghibli would make, and only Takahata could shape into such a poignant ode to the humanity of everyday families.

Essential Takahata, indeed. Directed in by Tatsuo Sato and co-conceived by Sato and Masaaki Yuasa, Cat Soup is an award-winning dark comedy short film inspired by the work of cult manga artist Nekojiru.

The film is a brilliant example of stream-of-consciousness animation, following the exploits of a young kitten named Nyatta who embarks on a bizarre journey to recover the soul of his sister Nyaako.

Describing what happens in the film is insufficient in attempting to understand it as compared to simply watching it.

Miyazaki seized the reins and made the film his own, crafting the source material into a creative vessel through which he could forge his impassioned contempt for the then-ongoing U.

The film follows the hyper-violent misadventures of two amnesiac criminals sentenced to life imprisonment aboard a space penitentiary embedded in the remnants of the moon.

While investigating a wave of murders perpetrated by an experimental line of sex gynoids, Batou and Section 9 uncover a deadly conspiracy linked to a rash of mysterious disappearances that extends to the highest echelons of the Japanese government.

As Batou plunges into the depths of the criminal underground in his search for answers, he begins to question the extent of his own humanity as a prosthetic cyborg.

Can someone ever truly recreate themselves? What does it mean to be happy? And will the Major ever truly return?

Innocence is a noticeably different film than the original in regard to its tone and subject matter. Approaching it less as a sequel and more of epistemological investigation through the medium of anime, Oshii doubles down on the Christian esotericism and philosophical koan-esque questions that define the greater part of his work to create a film that, although visually impressive and conceptually complex, feels bogged down in its latter half by the weight of too much ambition.

When middle-schooler Mikako Nagamine is recruited by the UN Space Army to serve as a mecha pilot to fight off an alien threat striking at human civilization from the fringes of the solar system, she leaves behind her friend Noboru Terao on Earth.

Jin-Roh follows a member of an elite anti-terrorist police unit who, after failing to subdue a mysterious suicide bomber in the midst of a heated riot, is plagued by disquieting visions and doubt regarding the virtue of his service.

The final two episodes of Neon Genesis Evangelion are notorious among fans of the series. In response, Anno set to work on an alternative ending to the series to be produced in two parts and aired in theaters.

If you were looking for a light, campy and celebratory conclusion, End of Evangelion is not that movie. Instead, what fans were treated to was perhaps one of the most fatalistic, avant garde, and oddly enough, life-affirming endings to an anime series ever produced.

In short, it is the best and worst of everything that is Evangelion combined to create a film that is unlike anything that had come before it.

Despite its unrelenting darkness, End of Evangelion remains true to the ethos of its subtitle, that the joy of death is in the act of rebirth.

Leiji Matsumoto was, along with Go Nagai, one of the preeminent creators of manga and anime in Japan in the s.

He is best known for his Yamato series, but his ultimate artistic achievement is perhaps the shared universe represented by the Galaxy Express , Captain Harlock and Queen Emeraldas manga and anime series.

Galaxy Express started as a manga, then became a episode anime, and culminated in a series of films, of which the self-titled is the first.

The story inspired by the classic novel A Night on the Galactic Railroad concerns a distant future where humans have developed the ability to download their consciousness into robot bodies, essentially achieving immortality—but also losing some measure of humanity.

Only the richest humans can afford this procedure, and the poor are forced to live in squalor and die in backwater areas. Tetsuo Hoshino is a young boy whose mother was determined for them both to become immortal.

Hearing of the legend of the galactic train, the Galaxy Express , whose passengers are guaranteed immortality, he meets Maetel, a mysterious woman who controls the train and offers to grant his wish if he keeps her company along the way.

Exploring concepts like class struggle, immortality and what it really means to be human, Galaxy Express is a heady piece of work. It was a smash at the Japanese box office, leading to a somewhat confusing sequel, Adieu Galaxy Express , three years later.

It was adapted for the U. Stick to the original with this one. A good place to start with Leiji Matsumoto, when you are ready to go beyond Yamato.

Set in amid the landmark Great Exhibition in London, Steamboy is a high-flying steampunk adventure centered on a young inventor named Ray and a powerful object engineered by his genius scientist father and grandfather.

The supporting characters are slight and ultimately insignificant to the arcs of either the protagonist or antagonist. With that being said, despite its shortcomings, Steamboy remains a visually impressive technical achievement in modern animation.

Set in Croatia in the years immediately following World War I, the film revolves around the the titular character, an ex-WWI flying ace who has been turned into a human-sized pig through a mysterious curse which is never really explained, only alluded to.

His obsessions with European towns, the forward march of technology, the disruptive effect of war, plucky young heroines, and of course, planes and flight, are more than just foregrounded here—they are the film.

The entire enterprise has a mournful, melancholy feel, and thus a possibly ridiculous situation a pig living his life as a man is given a surprising amount of pathos.

More grounded than a fantasy about a pig man would suggest, Porco Rosso nevertheless reaches heights that will leave any anime fan breathless—and does it in style.

Makoto Konno is by all appearances an average high school girl with a habit of clumsiness and oversleeping. What then begins as frivolous dalliances of youthful indiscretion soon enough cascades into an unforeseen series of chain reactions that threaten to shake her life to the core and force her to commit to the consequences of her actions.

Like all great science-fiction, The Girl Who Leapt through Time offers the satisfaction of speculative wish fulfillment combined with an earthly lesson that touches home: time waits for no one, and no matter our fears or regrets, an inescapable part of growing up means taking a leap of faith into the unknown and learning how to fly on our way down.

This adolescent quest soon escalates into a dramatic international conflict involving parallel dimensions, false realities and experimental technology.

Inspired by the likes of Yasujiro Ozu, Alejandro Jodorowsky, Sergei Parajanov, Sofia Coppola, and Lucile Hadzihalilovic, Yamada is a director par excellence, capable of arresting attention and evoking melancholy and bittersweet catharsis through delicate compositions of deft sound, swift editing, ephemeral color palettes, and characters with rich inner lives rife with knotty, relatable struggles.

When Shoya Ishida meets Shoko Nishimiya, a deaf transfer student, in elementary school, he bullies her relentlessly to the amusement of his classmates.

One day when Shoya goes too far, forcing Shoko to transfer again for fear of her own safety, he is branded a pariah by his peers and retreats into a state of self-imposed isolation and self-hatred.

Years later, Shoya meets Shoko once again, now as teenagers, and attempts to make amends for the harm he inflicted on her, all while wrestling to understand his own motivations for doing so.

A Silent Voice is a film of tremendous emotional depth, an affecting portrait of adolescent abuse, reconciliation, and forgiveness for the harm perpetrated by others and ourselves.

Back in , Daft Punk were on top of the world. However, the pair had yet still more surprise up their sleeves. During the early recording sessions of Discovery , Thomas Bangalter and Guy-Manuel de Homem-Christo co-wrote a screenplay based on the album with the intent of pitching it to their childhood hero, Leiji Matsumoto.

The rest, they say, was history. More than just a serendipitous alignment of two immensely creative forces, Interstella surpasses the limitations of having no spoken dialogue to become a fascinating allegory for the appropriation of talent and the predatory machinations of the entertainment industry.

Hana is a college student who finds a mysterious male student attending the same class as her. One day while trying to talk with the man, she learns that he is not an actual student but likes to attend classes.

The encounter with him leads to the beginning of a friendship that turns into a relationship. Hana gives birth to two healthy kids named Ame and Yuki, both born with werewolf abilities.

But her happy life suddenly comes to a standstill, when her lover, father of the kids, dies in an accident.

While coping with her loss, Hana decides to move to the countryside where her kids can enjoy freedom with their abilities. Life can be hard for a single mother, especially when kids are different from others.

To avoid meeting her family in this strange condition, Sophie decides to run away to find a solution to her problem. On her way outside the town, she helps a magical scarecrow.

Ashitaka ends up with a curse on his hand while trying to save his village from a demon god boar. The village elder orders him to leave the village and travel to the west for the cure.

After a long journey, he finally arrives at Tatara, an iron producing town ruled by Lady Eboshi. She reveals her plan for mass deforestation, which is why the animal gods are angry.

Princess San and the wolfs, the guardians of the forest, are in a constant battle with Lady Eboshi.

Ashitaka founds himself in the middle of the war between humanity and nature while continually struggling to control the curse on his body.

Now Ashitaka must seek peace between the two forces before something devastating happens. An impure soul gets another chance at life by reincarnating into a body of fourteen-year-old Makoto Kobayashi.

The young boy died due to suicide, and now the soul must find the greatest sin of his life within a time limit of six months.

An underground, incredible network of deep tunnels is home to a community of people. Patema is the princess of the underground citizens who often goes on an adventure to explore new tunnels.

Her favorite place is the danger zone because no one tells her why it is dangerous to go there. One day while exploring the danger zone, she falls into an endless pit and exits into a new world where she begins floating towards the sky.

Luckily a young boy saves her and tells her that she is in the nation known as Aiga. Momo is a teenage girl who moves to an old family house on a remote island with her mother after the sudden death of her father.

Her father left her an unfinished letter with only two words inside -Dear Momo. While feeling uneasy about the letter and new environment, Momo tries to look around the old house.

At the attic of her new home, she finds a picture book about old spirits. Soon she starts noticing strange things happening around her, resulting in meeting with three troublesome spirits.

OZ is an online virtual world were people all over the internet can connect, engage, and do a wide variety of activities.

OZ uses robust encryption to secure its network to make sure that users are safely able to share information. The world of OZ offers so many convenient applications and security that society has become highly reliant on it.

Seventeen-year-old Kenji Koiso is a math genius and part-time moderator at OZ.

Major is somewhat unique because the series spans several seasons and iterations, which allows the story to have a larger impact than a typical sports anime.

It starts as the story of a young boy who, having just lost his father, resolves to follow in his footsteps as a baseball player.

He grows up over subsequent seasons. The most recent iteration follows his son's debut on the baseball diamond.

Some purists only watch anime in Japanese based on the logic that Japanese voice acting is superior to the English voice acting featured in anime dubs.

There is some truth to that, as there are many awful dubs out there. Still, other shows feature fantastic English voice work. The best anime dub of all time is Cowboy Bebop.

Although the Japanese voice acting is top-notch, the English cast knocks it out of the park. This is one of the first great anime dubs, coming in a time where most were mediocre.

While the main voice actors do great work, Steve Blum's Spike, in particular, fits the character perfectly. See you, space cowboy. Selecting the best anime series of all time is inherently subjective, even more so than selecting the best series in a particular genre, because there are radically different shows that are excellent in their own right.

It's a complicated story that asks tough questions, which resonates with many viewers. Akira isn't only a great anime movie, and it isn't only great animation, even though it's both of those.

It's a great movie, full stop. There are a ton of great anime movies, and more come out every year. Akira still stands as a high watermark. It's a beautiful film to watch, with tremendous attention to detail, a cool story, and fantastic, action-packed animation sequences.

Anime has a reputation for being kid stuff, because of the connection between animation and kids cartoons in the West. If you're looking for a great anime kids movie, the best place to start is Studio Ghibli.

Ponyo , Spirited Away , and others are fantastic, beautiful, and entertaining movies that tweens, teens, and adults can enjoy together.

My Neighbor Totoro , which is also a Studio Ghibli film, is the best kids anime because anyone can watch it.

It gets the nod because it's a legitimately good movie. It's also rated G, so it's a great introduction to anime for kids of all ages.

Anime is a fantastic medium for world-building. Some interesting fictional worlds have come from anime and manga. One Piece is a shounen anime, which is a genre aimed at kids, so it might seem like a strange choice for this category.

Especially since many anime series do a great job at constructing fictional worlds. One Piece has been on the air for almost 20 years, and creator Eiichiro Oda hasn't taken his foot off the gas.

Every island in the world of One Piece has a history, culture, and other tidbits to make it feel fully realized. There are many slick anime series and movies, and pinning down the coolest anime is tough.

FLCL gets the nod because it's short, sweet, visually beautiful, and somehow extremely relatable. The series only got six episodes, but that plays to its benefit.

Each episode is jam-packed with no sagging in the middle. The whole thing blasts forward to the tune of a fantastic soundtrack from The Pillows.

One of the best things about FLCL is you can shotgun it in a day without feeling too guilty. It's a concentrated shot of cool that's easy to come back to over and over again.

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By using Lifewire, you accept our. On the eve of the 21st century, the collective memory of every living being on Earth was wiped by an inexplicable mass phenomenon, decimating civilization and reducing the human race to roving tribes of scavengers devoid of language, reason or technology.

Wataru, a survivor of this worldwide amnesia meets Sophia, a mysterious young woman seemingly unaffected by this worldwide epidemic.

Instead, Miyazaki eschews anthropomorphic crabs and garish musical numbers in favor of honing in on the love story between a young boy and a girl-fish who yearns to be human.

As the years proceed and their friendship deepens, Hotaru and Gin begin to develop feelings for one another. A short and impactful film whose beauty and tenderness merits the best of comparisons to the likes of Miyazaki and Shinkai while remaining something wholly its own.

The film and preceding television series, both directed by anime luminary Toyoo Ashida, follow the exploits of Kenshiro, a superpowered martial artist who wanders the wastes of a post-apocalyptic future brought on by a nuclear apocalypse as he aids the helpless by vanquishing the wicked on a personal quest for revenge and retribution.

Produced in , Fist of The North Star earns the dubious honor of being so extreme that the original Japanese release had to be heavily censored with strategic cuts and psychedelic distortion effects.

Its age most definitely shows through the somewhat dated crudeness of its animation and its paper-thin plot, but what one can confidently praise Fist of the North Star the most for is its comically unrelenting self-awareness and sincerity in knowing exactly what it is and sticking to it.

An unabashedly fun action movie that touts the over-the-top machismo of Schwarzenegger and Van Damme in their prime.

Placed in the body of middle-schooler Makoto Kobayashi, the soul is granted six months to solve the mystery of its own death and in doing so rediscover the intrinsic value of life itself.

Colorful , in spite of its name, is a movie that tackles weighty topics such as the societal pressure to succeed and conform, adultery, depression and suicide, albeit with an ultimately a life-affirming tone.

Taut with emotional tension and existential nuance, Colorful is a film that rewards on a visual and emotional level. The film ponders the question of whether anything exists at all, on whether ideas of the past that haunt the collective consciousness of humanity can reify themselves in the present tense, of whether belief in the perception of anything is worthwhile or reliable.

These are themes that Oshii would go on to further explore, particularly through his work on Ghost in the Shell , but nowhere near on this level of abstraction.

After the tragic passing of her father, year-old Momo Miyaura and her mother Ikuko move from Tokyo to the family home on Seto Island to start over. While adjusting to her new life, Momo discovers an unfinished letter addressed to her by her late father, along with a mischievous trio of Yokai spirits who follow her around constantly.

Junji Ito is one of the most celebrated names in contemporary Japanese horror fiction, easily warranting mention along the likes of Shintaro Kago and Kazuo Umezu.

Gyo , arguably his most famous work, revolves around a young couple who are assaulted by a horde of homicidal fish monsters with mechanical spider legs.

After leaving Studio Pierott and striking out on his own as a freelancer on a few projects, Oshii would join the independent creative collective Headgear and become a major influence in shaping the aesthetic of their first project, Mobile Police Patlabor.

For Princess Kaguya , Takahata would again return to reiterate and arguably refine this technique, imbuing every frame and scene with the sort of scrupulous attention one would expect from a master calligrapher or Ukiyo-e artist.

As clandestine paramilitaries and a rogue U. Instead, what it turns out to be is a super-powered Indiana Jones meets Armageddon spy flick packed with thrilling chase scenes, psychic martial art showdowns, and breathtakingly beautiful montages of the sparse picturesque plains and mountains of Nepal.

Originally created as a four episode OVA, then re-released as a cut-down, theatrical version with 20 minutes of new footage, Macross Plus is the first Macross sequel that takes place in the original timeline of the TV series.

Macross Plus take place 30 years after the war between the humans and the alien Zentradis, detailed in the original show, and instead focuses on two rival test pilots and former childhood friends and their struggle to be the first to secure funding for a new, experimental fighter that would replace the current model.

As with all things Macross, the two pilots are a part of a love triangle with a woman from their childhood, who is now the producer of Sharon Apple, the most famous singer in the galaxy actually an Artificial Intelligence.

Things start to go wrong when Sharon Apple achieves sentience and goes rogue, taking over the SDF-1 Macross ship and threatening thousands of lives.

Macross II is perhaps best known for its heavy usage of CGI, a novelty at the time, and its fluid, realistic dog-fighting sequences, something Kawamori was obsessed with getting right.

Macross Plus , like all things Macross, has a complex history in the United States. The theatrical version was never made available as a dub, and is now very hard to find—but the OVA is readily available, and almost as good.

Phoenix: , then, written and produced by Tezuka, loosely adapts characters and concepts from several volumes of the manga. The young man, Godo, sets off with his crew to capture and kill the Phoenix, but as with any quest for immortality, they are doomed before they even begin.

The background work is simple but clean. This is clearly feature film level animation with some musical sequences particularly the dialogue-free first 12 minutes and action scenes that rival anything in the Disney canon.

The date is October 31, In the midst of this bottleneck of international tension and unsuspecting revelry, a mysterious transfer student named Saya has come to the school on a mission: to hunt down and kill a trio of terrifying creatures who prey on the blood and bodies of their human prey.

Blood: The Last Vampire is significant for many reasons. The movie is not only the first anime film to be foremost produced entirely in English with Japanese subtitles, but also the first to eschew traditional cel drawn animation and be drawn and produced entirely through digital imaging software.

As the eighth and best theatrical release in possibly the best known anime franchise on the planet, Dragon Ball Z: Broly — The Legendary Super Saiyan has probably been seen by more people than most of the other films on this list.

The story, which, as with most other DBZ movies, is simply an excuse to gather the Z fighters together to combat a new threat to the universe.

This time it concerns a super saiyan—a warrior from an alien race—who wants to enslave humanity, and whose quest begins with an orchestrated revenge against the heroes of DBZ.

In other words, a typical shounen plot for perhaps the ultimate shounen show. What then separates Broly from the many other DBZ movies and specials?

Two things: Broly himself is a silly but fun, over-the-top villain—a Super Saiyan version of The Hulk who only gets more powerful the angrier he gets—and the battle scene comprising half of the film , which is endless fun for fans of kinetic action.

Like any good theatrical film based upon an ongoing series, Dragon Ball Z: Broly — The Legendary Super Saiyan contains everything that makes the series a hit, while offering the more fluid, cleaner animation that comes with a theatrical budget, and highlighting the best thing about the show itself—the pure, addictive thrill of great beings doing battle.

Whisper of the Heart is the story of Shizuku, a stubborn and precocious bookworm who, after meeting Seiji Amasawa, an ambitious young violin-maker who shares her affinity for literature, is inspired to pursue her own passion for writing as an alternate means of accepting and professing her nascent affections for him.

Attempting to describe the Haruhi Suzumiya franchise to a newcomer, let alone an outright anime neophyte, is anything but simple. The series is a prime example of postmodernism, with self-referentiality, existential crises, and a non-linear continuity that has captivated and infuriated fans since it first aired.

Trust me on this. Anime owes a great debt to the legacy of Kenji Miyazawa. The story follows Giovanni and Campanella, two young boys from a hillside town who are swept up on a mysterious dreamlike voyage across the boundless reaches of time and space aboard the titular railroad.

The film is premium cyberpunk material, with sprawling cityscapes, homicidal cyborg junkies, brooding bounty-hunters, and an enormous megacity hanging above the mainland separating the haves from the have-nots.

Fans of the series passionately criticized the film for relieving Lupin of his anarchic predilections and instead casting him in the mold of a true gentleman thief, stealing only when his nebulous sense of honor permits it.

A flawed Miyazaki film is a triumph all the same. Created by Mushi Productions, the studio behind such classics such Astroboy , Kimba the White Lion and Dororo , and produced by none other than anime patriarch Osamu Tezuka, One Thousand and One Nights was the first installment in what would later come to be known as the Animerama series, a trilogy of thematically linked experimental erotic films created for adult audiences.

The Animatrix is, without a doubt, the best thing to come out of the Matrix franchise since the original movie. All the familiar tropes are present: the mirrorshades, the kung fu acrobatics, the pulsing rain of digital kanji.

The movie cut is the superior viewing experience, however. Endless Waltz takes place one year after the events that wrapped up Gundam Wing , and involves the Gundam pilots, and their enemy Zechs Merquise, coming out of retirement to battle one last threat—and in some cases, each other.

Where the Gundam Wing TV series had a plot that tended to meander, and sometimes used cheap animation or repeated cels, Endless Waltz is a feast for the eyes—filled with gorgeous, fluid battle scenes that any fan of giant robots will appreciate.

For this film version, several shots from the OVA were retouched, and there are some mild adjustments to the original animation. The usual questions about the cost of war, the price of peace, and human determinism that run through virtually all Gundam series are on full display here.

If you want a concise example of what Gundam does so well relative to other types of giant robot anime, this is a dance worth taking.

Told across three short stories, the film follows Takaki Tono through childhood, adolescence, and eventually adulthood, documenting how his unrealized romance with his former best friend, Akari Shinohara, both spurs him forward and tragically leaves him incapable of pursuing human connection elsewhere.

Isao Takahata, for all his legendary status as a director and co-founder of Studio Ghibli, is sometimes a hard director to pin down, stylistically.

Case in point: the delightful, virtually plot-free, humane comedy My Neighbors the Yamadas, which looks and feels like nothing else in his oeuvre.

Despite this, it somehow also feels like quintessential Takahata. Based on the comic strip manga, Nono-Chan , the film is a series of vignettes centered around the Yamadas, an average family living in metropolitan Japan.

Complex truths about aging, marriage, family, and childhood are expressed through these simple tales about particular family members and their trials, tribulations and daily foibles.

Also of note is the striking visual style of the film, designed to look like a watercolor comic strip. Takahata was so firm in his desire to achieve this look that My Neighbors the Yamadas ended up becoming the first fully digital film from Studio Ghibli.

Whether you find it slow-moving or delightfully sedate, the visuals will captivate. My Neighbors the Yamadas is a film only Ghibli would make, and only Takahata could shape into such a poignant ode to the humanity of everyday families.

Essential Takahata, indeed. Directed in by Tatsuo Sato and co-conceived by Sato and Masaaki Yuasa, Cat Soup is an award-winning dark comedy short film inspired by the work of cult manga artist Nekojiru.

The film is a brilliant example of stream-of-consciousness animation, following the exploits of a young kitten named Nyatta who embarks on a bizarre journey to recover the soul of his sister Nyaako.

Describing what happens in the film is insufficient in attempting to understand it as compared to simply watching it.

Miyazaki seized the reins and made the film his own, crafting the source material into a creative vessel through which he could forge his impassioned contempt for the then-ongoing U.

The film follows the hyper-violent misadventures of two amnesiac criminals sentenced to life imprisonment aboard a space penitentiary embedded in the remnants of the moon.

While investigating a wave of murders perpetrated by an experimental line of sex gynoids, Batou and Section 9 uncover a deadly conspiracy linked to a rash of mysterious disappearances that extends to the highest echelons of the Japanese government.

As Batou plunges into the depths of the criminal underground in his search for answers, he begins to question the extent of his own humanity as a prosthetic cyborg.

Can someone ever truly recreate themselves? What does it mean to be happy? And will the Major ever truly return? Innocence is a noticeably different film than the original in regard to its tone and subject matter.

Approaching it less as a sequel and more of epistemological investigation through the medium of anime, Oshii doubles down on the Christian esotericism and philosophical koan-esque questions that define the greater part of his work to create a film that, although visually impressive and conceptually complex, feels bogged down in its latter half by the weight of too much ambition.

When middle-schooler Mikako Nagamine is recruited by the UN Space Army to serve as a mecha pilot to fight off an alien threat striking at human civilization from the fringes of the solar system, she leaves behind her friend Noboru Terao on Earth.

Jin-Roh follows a member of an elite anti-terrorist police unit who, after failing to subdue a mysterious suicide bomber in the midst of a heated riot, is plagued by disquieting visions and doubt regarding the virtue of his service.

The final two episodes of Neon Genesis Evangelion are notorious among fans of the series. In response, Anno set to work on an alternative ending to the series to be produced in two parts and aired in theaters.

If you were looking for a light, campy and celebratory conclusion, End of Evangelion is not that movie. Instead, what fans were treated to was perhaps one of the most fatalistic, avant garde, and oddly enough, life-affirming endings to an anime series ever produced.

In short, it is the best and worst of everything that is Evangelion combined to create a film that is unlike anything that had come before it.

Despite its unrelenting darkness, End of Evangelion remains true to the ethos of its subtitle, that the joy of death is in the act of rebirth.

Leiji Matsumoto was, along with Go Nagai, one of the preeminent creators of manga and anime in Japan in the s.

He is best known for his Yamato series, but his ultimate artistic achievement is perhaps the shared universe represented by the Galaxy Express , Captain Harlock and Queen Emeraldas manga and anime series.

Galaxy Express started as a manga, then became a episode anime, and culminated in a series of films, of which the self-titled is the first.

The story inspired by the classic novel A Night on the Galactic Railroad concerns a distant future where humans have developed the ability to download their consciousness into robot bodies, essentially achieving immortality—but also losing some measure of humanity.

Only the richest humans can afford this procedure, and the poor are forced to live in squalor and die in backwater areas.

Tetsuo Hoshino is a young boy whose mother was determined for them both to become immortal. Hearing of the legend of the galactic train, the Galaxy Express , whose passengers are guaranteed immortality, he meets Maetel, a mysterious woman who controls the train and offers to grant his wish if he keeps her company along the way.

Exploring concepts like class struggle, immortality and what it really means to be human, Galaxy Express is a heady piece of work. It was a smash at the Japanese box office, leading to a somewhat confusing sequel, Adieu Galaxy Express , three years later.

OZ also possesses nearly impenetrable security due to its strong encryption, that keeps any personal data transmits through the networks safe in order to protect those who use it.

Because of its convenient applications, the majority of society has become highly dependent on the simulated reality, even going as far as entrusting the system with bringing back the asteroid explorer, Arawashi.

Kenji is able to crack the code, but little does he know that his math expertise has just put Earth in great danger.

Hana, a hard-working college student, falls in love with a mysterious man who attends one of her classes though he is not an actual student.

As it turns out, he is not truly human either. On a full moon night, he transforms, revealing that he is the last werewolf alive.

Hana gives birth to two healthy children—Ame, born during rainfall, and Yuki, born during a snowfall—both possessing the ability to turn into wolves, which they inherit from their father.

The stress of raising her wild children in a crowd city, all while keeping their identity a secret, culminates in a decision to move to the countryside, where she hopes Ame and Yuki can live a life free from the judgments of society.

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